partfaliaz/video » landscapes

Stab Little Weeds Final – “Still Filthy” Trailer

Azerimusle — Fri, 13 Nov 2009 20:27:47 +0000

Task number 1 of the STAB magazine LITTLE WEEDS final. Edit a trailer for Billabong’s new flick ‘STILL FILTHY’. 3 hour time limit.
By Riley Blakeway (http://rileyblakeway.com/)

Absolut “Anthem” by Rupert Sanders

Azerimusle — Sat, 03 Oct 2009 08:59:22 +0000

Beauty work on random shots, balloons enhancement and compositing of the “Leads to”, as well as the end packshots. Done at Mass Market/Psyop L.A, Venice CA, July 2009
Director: Rupert Sanders
Executive Producer: Eric Stern
Executive Producer: David Zander
Producer: Laurie Boccaccio
DP: Greig Fraser
Production Designer: James Chinlund
Editorial: Spot Welders
Editor: Neil Smith
EP: Tommy Murov
Producer: Amanda Slamin
Assistant Editor: Marlo Nespeca

Visual Effects: Mass Market
Executive Producer: Christine Schneider
Producer: Luisa Murray
Lead Artist/Shoot Supervision: Thibault Debaveye
2D: Sarah Eim, Pilon Lectez, Eric Almeras, Melissa Huerta, Scott Baxter, Jeff Kim
3D: Clay Osmus, Kyle Cassidy

Color Correct: MPC – Motion Picture Company
Final Color: Mark Gethin
MIX: Audio Engine
Sound Engineer – Robert DiFondi
BEHIND THE SCENES FILMS

“My filmspring” by George Cifteli

Azerimusle — Mon, 28 Sep 2009 18:40:32 +0000

George Cifteli is a German fashion photographer and director who was born in Tirana, Albania. As a versatile artist he also works on post production, animation, photography, paintings, graphic and web design as well as music production and sound design. His filmspring is a very beautiful artwork mixing talents and cultures.

“Blue” by Yildy Aktas

Azerimusle — Mon, 28 Sep 2009 06:58:41 +0000

Magic Bullet Looks trials. Clips are from Ocracoke NC beach, and US National Whitewater Center at Charlotte NC. Yildy Aktas uses the camcorder Canon HV30 at 24P Cinemode. Music: “Siempre Me Quedará” by Bebe (Spanish alternative pop singer).
1) “I used MBL “Blockbuster” preset as just a starting point. I used gradients and lenses with post production film look set up and I graded every clip separately, and in some cases I applied mask to increase the exposure for a specific section of the clip.
2) I use FCP but Vegas should have similar futures. First crop the sequence after applying widescreen filter, then make a new sequence and load the original cropped sequence. Change the sequence settings to custom dimensions which are equal to the dimensions of the cropped version of the original cut. That will result a sequence perfectly fitting to the dimensions of your final cut ( in my case 2.35:1). Then render the sequence and export it to any format that you desired.” says Yildy Aktas.